Saturday, May 21, 2022

Godzilla vs. MechaGodzilla


Godzilla vs. MechaGodzilla
 is one of my favorite Godzilla movies, period. While this blog was functionally began as an excuse to watch all of them, I have seen this movie several times and enjoy it quite a bit. That's what I know going in. It has been a few years since I last watched, however, so it is entirely possibly something has changed. Especially in the context of a "history of kaiju" movies which prompted me to start this entire project, it will be interesting to see how I continue to feel about this movie (though I expect to enjoy it). 

Jun Fukuda is back in the director's chair, but the one and only person to play Godzilla so far, Haruo Nakajima, finished his tenure as Godzilla in Godzilla vs. Gigan. I did not realize this at the time of watching that movie, so I did not manage to give the legend a proper sendoff. I did, however, enjoy it, and isn't that the hope of every actor on any project? Either way, I respect and appreciate Haruo's legendary work, it will be interesting to see how Godzilla's suit acting evolves as other people take on the role. 
Newcomer Isao Zushi fills the Godzilla role while other newbie (to the series) Kin'ichi Kusumi fills out the titular characters as MechaGodzilla.

If You Haven't Seen it Before
- A priestess predicts/has a vision that a monster is going to attack and destroy a bunch of stuff. Most people write it off, but some take her seriously.
- In a nearby cave, archaeologists discover artifacts regarding a protective monster named King Caesar. An apparent prophecy from the cave also claims that when a black cloud appears in the sky, a giant monster will appear to destroy the world but that two monsters will appear to save the world.
- As the explorers head home, they see a giant, thick black cloud in the sky. Ominous.
- A man attacks and attempts to steal the statue of King Caesar. He is disarmed and defeated, but not without some trouble. He escapes before he can be questioned.
- Godzilla emerges, going on a rampage despite Godzilla having been recently working together with humans in the past several years (since about 1965 according to our records). His roar is terrible, nothing like the classic, good roar.
- Anguirus, Godzilla's friend, appears and fights with him. He gets his jaw split in two for his trouble and nearly dies before escaping. He does manage to do a bit of damage to Godzilla, however, revealing shiny metal underneath his skin. An evolution?
- Of course not! Another Godzilla appears, this one with the correct roar. He fights the 1st Godzilla, who is damaged enough to reveal he's MechaGodzilla, a robot. The ruse discovered, ape like aliens called Simians are revealed to be behind the superweapon MechaGodzilla. 
- MechaGodzilla wins this first battle, Godzilla barely escaping with his life. The robot is damaged as well, however, so all three kaiju seen so far are currently out of commission.
- Contradicting previously established facts about Godzilla, he is empowered after being struck by lightning, healing and ready for another fight.
- The King Caesar statue thief reappears, having another showdown and losing but falling off the boat and taking the statue with him. But this is a trick by the human, having replaced the statue with a fake to throw off his enemies. Clever!
- After a series of adventures and trouble with Simians, the humans manage to find King Caesar's resting place, just in time for the Simians to attack with MechaGodzilla. King Caesar still needs to be woken up, but fortunately there's an Azumi priestess available to sing an unusually long song on the beach.
- The lion/shisa like creature King Caesar finally wakes, battling MechaGodzilla to protect the Earth.
- He loses.
- Godzilla returns for a rematch, turning the tide and allowing he and King Caesar to finally defeat MechaGodzilla.

Kaiju Notes
- A note on Anguirus: he has never won a fight once in his entire life. He's a brave little guy, but he gets his ass kicked almost every time. He has won when part of a team, but once again we watch Anguirus get his ass kicked. The breaking of his jaw seems particularly vicious in this movie because we know he and Godzilla are supposed to get along. Of course it was all just a clever ruse by aliens.
- MechaGodzilla is a fun but simple design. I love a good mecha. He lacks the dedication to the absurd that is Gigan, but makes up for it by at least being intentionally modeled after Godzilla (to explain the simplistic design) and having powerful lasers and missiles.
King Caesar has a genuinely good design that is wasted by not getting enough screen time. His resting form is intimidating, and while in motion he maintains a little bit of menace even while presented as a heroic figure. His ability to absorb and redirect energy is also a cool concept, and I enjoy his general focus on mobility and skill in a fight. It's ultimately all wasted, however, by his role being dwarfed by Godzilla. It could have been a great opportunity to introduce a heroic monster in the same vein but more explicit than Godzilla, but the G-Man required top billing so no one else can save the day I guess.
- The fights of this film are significantly more believable than some of the other recent ones have been. Godzilla does not waste as much time being a braggart, getting down to business. This may be because he lost or tied his first conflict with MechaGodzilla, though, and needs to team up with King Caesar to even the odds. As an example, when MechaGodzilla has his enemies on one side of him he simply unloads every laser and missile he has at them in an attempt to kill them entirely, rather than any tricks or resorting to hand-to-hand.
- To further the previous point, Godzilla gets a spurting neck wound in the final fight which, for a second, appears to kill him. While he's vulnerable, MechaG throws literal spikes into his body. The violence of this film is maximized on all levels. Bloodier, a bit more realistic, and truly gives you the feeling that these kaiju want to kill each other.

There is a legitimately cool fight between humanoid characters when the aliens are revealed to be ape-like. The human gets his hand cut with a hidden knife, does some slick dodging, and then shoots the alien in the face. The alien doesn't die, but does reveal his true visage. In a genre that is (and should be) focused on monster action, it's not a bad thing to have decent human action as well (so long as it doesn't takeover the focus on monsters). This is an example of such a scene, a good balance to the rest of the story and punctuating all of the humans talk to each other sequences with something fun.

There is a shit ton of murder in this movie. Simians, humans, kaiju, everyone in this thing dies or nearly dies. The humans and aliens are no holds-barred mercing each other while the kaiju are more deadly than usual to each other as well. I'm not sure if it's Fukuda's style or just a unique feature of this script, but we have people being shot in the face, killed by strangulation, thrown in the ocean, stabbing, jaws forcibly split in half, multiple deaths by bullets, multiple spurting neck wounds (one of which ends in death) and (robot) decapitation. Shit's wild, son.

Choosing to make King Caesar mostly useless in the end is hilarious. A full hour of this movie is dedicated to waking up KC so he can save the world, and in the end he gets beat pretty soundly by MechaGodzilla and is barely useful once Godzilla shows up. This is an indication of a weak script, it can't be denied, but it is endlessly funny. At least when we get to watch a full-length song about awakening Mothra, she wakes up and actually accomplishes anything. As usual for this genre, things that absolutely wouldn't work in another movie just somehow manages to not be terrible. It can't be explained, but it can be enjoyed.

At the end of the day, this movie has very little on its mind except violence. Despite this typically negative quality, it is quite simply one of my favorite Godzilla movies. It's awesome. It could be dethroned from my "top 3 kaiju" movie list, to be sure, but I enjoyed it just as much this time as I expected. It is not complex, it is not deep, it's barely competent when you consider King Caesar's central yet pointless role, but it's somehow, nonetheless, fun.

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